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Oklahoma! evaluation: You actually received’t overlook it in a rush



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Oklahoma!

Oklahoma! is at Wyndham’s theatre in London (Image: Marc Brenner)

I concern for anybody who would possibly see there’s a brand new manufacturing of Oklahoma! on within the West Finish and e book for it, anticipating a jolly night time out.


For US director Daniel Fish’s radical spin on the Rodgers And Hammerstein musical, which has transferred to the Wyndham’s Theatre after being the most well liked of tickets on the Younger Vic final yr, is the other of straightforward leisure.


From the second that usually sunny anthem Oh, What A Stunning Mornin’ is was one thing altogether extra downbeat and dirge-like, it’s clear we’re not within the conventional Oklahoma! anymore: as an alternative of cornfields and ‘yee-haws’, we get a stripped-back, gun-lined set, and a Midwest American milieu ruled by brooding eroticism and an ever-looming risk of violence.


Turning cowboy Curly, the musical’s notional romantic hero right into a hard-edged anti-hero, Arthur Darvill is excellent, as is the entire ensemble, amongst them Liza Sadovy’s atypically robust Aunt Eller and Patrick Vaill’s ethereally unsettling Jud Fry.


Better of all, although, is Georgina Onuorah, who has a ball and offers much-needed mild aid as man-juggling bon vivant Ado Annie: her rendition of I Cain’t Say No is a delightfully lascivious showstopper.


It must be mentioned that this manufacturing loses somewhat from being in a proscenium arch theatre now, the place on the Younger Vic the staging was in-the-round, and so that rather more immersive.


However it’s nonetheless extremely highly effective, with a finale that ventures into the emotionally brutal realm of Greek tragedy and leaves its characters spattered in blood. You actually received’t overlook it in a rush.




MORE : The Unfriend, Criterion Theatre evaluation: pure, unadulterated escapism with a star solid




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